LOTUS kigo
manifold fingers bending in prayer - lotus in the pond  |
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Quote from
The Art of Chinese Brush Painting
The sacred Lotus, Nelumbo nucifera, is an extreme important spiritual symbol in Eastern religions. It represents purity, divine wisdom, and the individual's progress from the lowest to the highest state of consciousness.
When Chan (Zen) Buddhism bloomed in China, the lotus did not lose stature, but Buddhist art became more subdued, and the use of color in depictions of the lotus declined. After the Song dynasty, folk culture grabbed hold of the lotus with gusto, giving it symbolic meaning that was no longer purely religious.
Down to the present, even if Chinese don't understand the Lotus Sutra or lotus-related Zen esoterica, they will surely know that you light lotus lanterns on the Ghost Festival and that Songzi Niangniang allowed the Gold Boy and Jade Girl to get on a lotus and float to the world of men. In which case it's not hard to imagine that a small lotus pedestal can remove bad karma, direct souls of the deceased to proceed with reincarnation, and help cultivate one's inner spirit.
Legend of the Lotus / China / Hans Christian Von Baeyer
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Ancient CHINA : On loving lotus
Lotus on four sides and willows on three,
Half a pool of autumn water reflects a hill.
Distant fragrance is all the more delicate and fresh.
Zhou Dunyi, Song dynasty
Lotus is also called lotus flower.
On loving lotus written by Zhou Dunyi says lotuses are not dirty although born in mud and not coquettish although bathing in ripples of water, so lotuses can symbolize chasteness and nobleness. The word green lotus has the same pronunciation with the word incorruptness in Chinese, which is qinglian.
Therefore the pattern the most incorruptness formed by lotuses symbolizes having high official titles without embezzlement, and also symbolizes incorruptness. So lotuses are often used to praise upright and incorruptible officials.
And lotuses also symbolize love. So the pattern of lotuses with shared pedicel formed by one peduncle and two flowers symbolizes devotion between husbands and wives and happiness.
Auspicious flowers in Chinese Art
© www.shanghai.gov.cn 
Jade art and Lotus
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LOTUS KIGO
... ... ... Lotus in Kigo for late summer:
hasu 蓮 renge 蓮華
hasu no hana 蓮の花
white lotus, byakuren 白蓮
red lotus, benihasu 紅蓮
viewing lotus, hasumi 蓮見
boat for viewing lotus, hasumibune 蓮見舟
lotus pond, hasuike 蓮池
fragrance of lotus, hasu no ka 蓮の香
"Devil's Lotus", oni hasu 鬼蓮 > See Comment
... ... ... Lotus in Kigo for Late Autumn:
withered lotus, broken lotus (lit. broken bag)
.. yarehasu 敗荷, yarehachisu 破れ蓮（破蓮）
... ... ... Lotus in Kigo for All Winter:
dry lotus, withered lotus, karehasu 枯蓮
lotus withers, hasu karu 蓮枯る
lotus roots, renkon 蓮根 (food)
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For more information about the lotus see the comments below, please.
Lotus (padma), in the India Saijiki
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posted by Gabi Greve @ 6/13/2005
21 Comments:
a white lotus
in dark black water
and your grey eyes
GEERT
a white lotus
sways in the wake
of passing koi
Carole MacRury
The Lotus (PADMA)
The lotus symbol (or its petals) is both a symbol of purity and variety, every lotus petal representing a distinct aspect. The inclusion of a lotus in a YANTRA represents freedom from multiple interference with the exterior (purity) and expresses the absolute force of the Supreme Self.
More about Yantra is here :
http://sivasakti.com/articles/intro-yantra.html
Sesen / Egypt and the Lotus
A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks under water, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day.
A symbol of Upper Egypt
Read more about Egyptian Symbols:
http://members.aol.com/egyptart/symlst.html
Complete text of the LOTUS SUTRA
THE LOTUS OF THE TRUE LAW.
Translated By H. Kern (1884)
Sacred Books of the East, Vol XXI.
All 27 chapters !
http://www.sacred-texts.com/bud/lotus/
PAINTING
Pink and White Lotus
14th century China
Yuan dynasty (1279-1368)
Hanging scroll; mineral pigments on silk
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Flowers were a major subject of Chinese painting from the tenth century onward. Produced for the court, flower paintings far exceeded other subjects--figures, Buddhist painting, and landscapes--that were recorded in imperial collections. This painting of blossoms, leaves, and seed pods depicts the lotus at a moment just past its peak, when the blossoms are fully opened and some petals have begun to fall. The flowers retain their full colors, showing a gentle gradation of deep pink to nearly transparent lighter shades and white. The large, bowl shaped leaves with lobed and curled edges are turned up to reveal a lighter shade of green on the underside.
While the blossoms successfully convey lifelike qualities, the lotus in Asian art is never merely decorative but is a motif that has deep religious meaning. In Buddhism, the muddy pond in which the lotus grows represents the mundane world; the beautiful blossoms, which rise on stems high out of the water, represent the purity of salvation and rebirth in a heavenly paradise.
Lotus paintings were usually produced in pairs for Buddhist temples or palace walls.
Original is here:
http://www.kimbellart.org/database/index.cfm?detail=yes&ID=AP%201984.19
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Indian Art
VI. The symbolism of the lotus:
1. The Lotus Goddess.
2. The lotus support.
3. The Bodhisattva lotus-in-hand.
4. The lotus in Burmese art.
5. The lotus in Tibet.
6. The lotus in China and Japan.
7. The Lotus Goddess of the cosmic sea—and the Palace-Temple Ankor Wat.
8. Excursus: on the contents and form of Indian sculpture.
9. The Palace-Temple Ankor Wat—and the Lotus Goddess of the cosmic sea.
The Art of Indian Asia :
Its Mythology and Transformations
by Heinrich Zimmer. Edited by Joseph Campbell.
https://www.vedamsbooks.com/no23947.htm
This is an amazing treasure of a book! I read it in German.
Gabi
The Lotus Goddess of the Cosmic Sea
Lakshmi the goddess of earthly abundance sits cross-legged on a full-blooming pink lotus which shoots up on an extended green stalk, sprouting from the depths of the cosmic sea. The shooting lotus is a symbol of life and growth. This is further emphasized by a number of blossoms around her which are in various stages of growth. Though Lakshmi is the Indian archaic mother of life, she is almost always shown as a lovely and young woman.
The four-armed deity's ample form signifies her capacity to nourish and sustain. Though devoid of any overtly sexual characteristics the artist nevertheless has embellished her with some graceful feminine attributes expressed in her essentially curvaceous form, highlighted for example through her flowing robes and the slight contours marking the curves and folds of her stomach. The rich vegetative motives framing her in the background express her fertilizing nature.
Rising from the depths of water and expanding its petals on the surface, the lotus (kamala) is the most beautiful evidence offered to the eye of the self-engendering fertility of the bottom. Through its appurtenance, it gives proof of the life-supporting power of the all-nourishing cosmic waters, the infinite ocean out which all elements of the universe arise, and back into which they must again dissolve.
Look at a beautiful picture too at this site:
http://www.exoticindiaart.com/product/PC74/
Kamala - The Lotus Goddess
The name Kamala means "she of the lotus" and is a common epithet of the goddess Lakshmi or Shri, who is said to adore lotuses and to be lotus eyed and surrounded by lotuses. Indeed, Kamala is none other than the goddess Lakshmi. She is usually listed as the tenth and last of the Mahavidyas. Of all the goddesses in the Mahavidya group, Kamala is the best known and most popular and has the oldest tradition of worship outside the Mahavidya context.
Kamala is a beautiful young woman with a shining complexion. Two elephants flank her and shower her with water while she sits on a lotus and holds lotuses in each of her four hands. The lotus is related to life and fertility. The cosmos as lotus-like suggests a world that is organic, vigorous and beautiful. It is the fecund vigor suggested by the lotus that is revealed in Kamala. She is the life force that pervades creation.
Kamala's association with the elephant suggests other aspects of her character that are ancient and persistent. The elephants have two meanings. According to Hindu tradition, elephants are related to clouds and rain, and hence fertility. Second, elephants also suggest royal authority.
Look at this beautiful illustration:
http://www.exoticindiaart.com/product/DF05/
Links for LOTUS POND :
http://community.webshots.com/album/179537440eNqNwL
http://community.webshots.com/album/63719192lFDcBs
http://www.terragalleria.com/theravada/thailand/muang-boran/picture.thai2377.html
http://www.nantien.org.au/htmls/slide13.htm
http://members.tripod.com/kumarabharathy/newpage2.htm
Temple Of Guanyin Who Refuses To Leave
In the year 916 AD, a Japanese monk called Hui Er was on a pilgrimage to China. After leaving another sacred mountain, Wutai, he boarded a ship for Japan with a newly acquired bronze statue of Guanyin. A strong wind blew up as the ship approached the island of Putuo, forcing the vessel to run aground against a reef. The winds intensified. Waves beat against the hull, and the crew feared the boat would be destroyed.
As the storm intensified, Hui Er suddenly envisioned that the violent winds were a sign of Guanyin's unwillingness to leave China. He knelt before her image and prayed: "If my countrymen are not destined to see you, I will follow your direction and build a temple to you here.”
Immediately the wind subsided. The sea became as calm as a lotus pond. The ship freed itself from the shoal and sailed close to shore, below the Cave of Tidal Sound. Disembarking with his statue, Hui Er encountered a fisherman who was marveling over the deliverance of the distressed ship. The fisherman offered his home as a shrine for the image of Guanyin.
Through the years, the original statue has been replaced by many replications. An exquisite new shrine to Guanyin completed in 1998 attracts a steady flow of visitors.
Another story says that the sea was filled with iron lotus blossoms and the boat could not move forward. The monk prayed to Guanyin when his boat moved closer to the shore.
A man on the shore saw the problems the monk was facing and transformed his house into a shrine and took the statue in. Once Guanyin was installed, the lotuses disappeared from the sea and the boat was released to sail back to Japan.
The shrine became known as the "Temple of Guanyin Who Refuses To Leave" (Bukenqu Guanyin).
The Temple Of Guanyin Who Refuses To Leave, is the oldest and most important temple in Putuohan. It is small and by the sea, just below the much larger than the temple in the Purple Bamboo Forest (Zizhulin).
It is decorated in carvings of the Japanese monk and his Guanyin statue and has an obviously patched stele of the Dont-leave story which was smashed by the Red Guards and later retrieved from the sea. It has recently been completly restored.
http://www.putuoshan.net/English/Seeings/bukenquguanyin.php
The Lotus Lantern Festival:
Seoul, South Korea
is the most attractive and beautiful festival in Korea but not known yet too much to outside.
Scheduled to commence on 23rd May, 2004 in Jongno Street, downtown Seoul, this festival celebrates Buddha's Birthday. (The date changes due to it follows lunar calendar)
Traditional and High-spirited Lotus Lantern Festival This is a representative regional cultural festival of Seoul City, and will be of interest to everyone.
http://www.hostelscentral.com/hostels-article-366.html
This link is in Korean, but look anyway:
www.LLF.or.kr
Here is their lotus lantern gallery:
http://www.llf.or.kr/gallery/gallery/board.asp
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Lakshmi and Indian Mythology
Lore has it that Lakshmi arose out of the sea of milk, the primordial cosmic ocean, bearing a red lotus in her hand. Each member of the divine triad- Brahma, Vishnu and Shiva (creator, preserver and destroyer respectively)- wanted to have her for himself.
Shiva’s claim was refused for he had already claimed the Moon, Brahma had Saraswati, so Vishnu claimed her and she was born and reborn as his consort during all of his ten incarnations.
The most striking feature of the iconography of Lakshmi is her persistent association with the lotus. The meaning of the lotus in relation to Shri-Lakshmi refers to purity and spiritual power.
Rooted in the mud but blossoming above the water, completely uncontaminated by the mud, the lotus represents spiritual perfection and authority.
Furthermore, the lotus seat is a common motif in Hindu and Buddhist iconography. The gods and goddesses, the Buddhas and Bodhisattvas, typically sit or stand upon a lotus, which suggests their spiritual authority. To be seated upon or to be otherwise associated with the lotus suggests that the being in question: God, Buddha, or human being-has transcended the limitations of the finite world (the mud of existence, as it were) and floats freely in a sphere of purity and spirituality.
Shri-Lakshmi thus suggests more than the fertilizing powers of moist soil and the mysterious powers of growth. She suggests a perfection or state of refinement that transcends the material world.
She is associated not only with the royal authority but with also spiritual authority, and she combines royal and priestly powers in her presence. The lotus, and the goddess Lakshmi by association, represents the fully developed blossoming of organic life.
Read a lot more about Lakshmi here:
http://www.exoticindiaart.com/lakshmiandsaraswati.htm
More about Lotus Deities
A Gift of Lotus Flowers
In the Theravadin tradition of Buddhism, there is a tale told of a reception welcoming Buddha Dipankara (the one who preceded Shakyamuni) to the great city of Ramavati. The citizens were at work cleaning, decorating and repairing the road in preparation for the great event when, traveling through space, the ascetic Sumedha saw them and wondered what was going on.
He descended to earth and questioned them. They explained the reasons for their labours saying that it was in order that the Buddha and his disciples would enjoy their visit more since they would be able to travel along more comfortably.
Sumedha was delighted at this, reflecting: "It's hard to even get to hear the word Buddha and indeed, it is far harder to become a Buddha." He asked them to give him a chance to work on a stretch of road.
Although he could easily have done the road repairs by means of his magical powers, he used his own physical labour in the knowledge that he would earn greater merit that way.
Before he had finished his portion of road however, along came Buddha Dipankara with his disciples. To prevent the feet of the Buddha and his disciples from getting all muddy, he prostrated himself to form a human bridge.
Now, in among the welcoming crowd was a young woman named Sumita who was holding a bouquet of eight lotus flowers. As soon as she saw the ascetic, she was so delighted at his actions that she gave five of the lotuses to him which left her with only three. The ascetic then offered the flowers to the Buddha while still lying in the muddy road.
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Surya, the Indian sun god, is depicted with a lotus in each hand.
Osiris, culture hero and god of the underworld is depicted crowned with lotus buds.
Isis is sometimes portrayed emerging from a lotus as a sign of resurrection.
Lotus buds are therefore, associated with funerary rites, and held in the hands of mummified bodies.
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Legend has it that the divine white elephant that, in her dream, entered the side of Maya, Shakyamuni Buddha's mother, was holding a spray of lotuses.
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Lotus of Compassion
The best-known figure in Tibetan Buddhism associated with the lotus flower is the bodhisattva, Chenrezi, whose name in Sanskrit is Avalokiteshvara, but whose epithet is Padmapani or, Lotus-bearer. The well-known mantra, Om mani padme hum is used to invoke his presence; it calls on the one known as Jewel-in-the-lotus. Each syllable stands for one of the six realms of existence. Note that the two syllables of pad-me (lotus) represent the animal and the spirit realms.
Better read it all here:
http://www.khandro.net/nature_plants_lotus2.htm
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"The lotus blossom
dragon rises"
people say
ISSA
Haiga by Sakuo Nakamura is here
http://blog.livedoor.jp/sakuo3903/comment.cgi/25835282
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蓮に誘われここまで来ました。
次に蓮の句が出たら、参考にさせていただきます。
sakuo
oni hasu, devil's lotus
Euryale ferox
Of the Water Lily Family.
The plant with huge leaves, almost like tables on the water.
http://www2.wbs.ne.jp/~suzki/page003.html
http://www2.wbs.ne.jp/~suzki/page003.html
http://www.hana300.com/ooonib.html
Lotus, the flower for the month of July
By Waverly Fitzgerald.
With a lot interesting info and photos.
Every part of the lotus found in India (nelumbo nucifera) is edible. Seeds are roasted to make puffs called mahkanas. The plant's roots are ground up to make lotus meal.
http://www.schooloftheseasons.com/flowers/lotus.html
There is a photo of an Assyrian panel with a lotus, that reminds me of the crossed thunderbold in Esoteric Buddhism.
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A golden cup
in a pink bowl-
the lotus flower
Vasile Moldovan
Padmaasana – lotus posture in hatha yoga
Padma lochani - the lotus eyed one
Lotus – the flower is sacred to the Hindus and is interwoven into the Hindu way of life from the Vedic times to the modern age.
It represents beauty, purity, fertility and youth
Bhagawad Gita says that man must emulate the lotus’s way - the water on a lotus leaf just rolls away.
Thus, man should work without attachments, dedication his actions to the almighty – says the Gita
The beautiful white Lotus arises out of muddy waters – in the same manner should man rise above the sins of his mundane existence . . .
For Buddhists – Lotus symbolizes the most glorious state of man
Lotus has been venerated throughout the ages. . . Goddess Saraswathi sits on a white lotus
The Hindu scriptures say that the Atman [soul] dwells in the lotus within the heart
Sant Kabir – the 15th century singer-poet says
Do not go to the garden of flowers
My friend, Go not there –
In your body is the garden of flowers-
Take your seat on the thousand petals of the lotus-
and there gaze on the infinite beauty
The leaves are coated with a film – upon which water forms beautiful ready-to-roll-off glittering droplets.
Lotus comes in different colours – namely white, red, blue, pink and purple
The flower rising above the leaves, appear one at a time. Each flower lasts for just 2 to 5 days only and darkens soon after.
a withered lotus –
bee lingers around
the fresh one
padmaasan . . .
a distinct squeak
of the synthetic mat
Kala Ramesh
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over my midday nap
the scent of lotuses
meanders
hasu no ka ya hirune no ue o fuki meguru
.蓮の香や昼寝の上を吹巡る
by Issa
Tr. David Lanoue
http://cat.xula.edu/issa/
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